August 5, 2026

From the Bowery Wall in New York to Wynwood Walls in Miami, from Tlatelolco in Mexico City to Aldersrogade in Copenhagen, RETNA's mural practice spans continents as a testament to the artist's singular calligraphic vision. Each public work responds to its host environment — the architecture, the cultural fabric, the community in which it resides. At Edificio Cuauhtémoc in Mexico City, a monumental composition draws upon pre-Columbian visual traditions. In Copenhagen, the Aldersrogade mural modulates toward Scandinavian restraint through lighter tonalities. In Beirut, the work participates in the city's post-war cultural renewal, and in Dubai the artist's calligraphic forms have engaged with Islamic artistic heritage through exhibitions. Taken together, these murals form a global constellation of public art whose power lies not in uniformity but in a shared visual language that speaks differently in every locale.
Bowery 2012; Wynwood Walls; Tlatelolco 2017 — 'Escaleras al Sol', Edificio Cuauhtémoc, The Beauty Project Mexico; Aldersrogade Copenhagen, Jul 2015; Beirut, Jan 2017 (Ashrafieh, Ouzai); Dubai — 'Between The Lines' exhibition, The Mine, 2016. Sources: streetartnyc.org · thewynwoodwalls.com/artists/retna · arrestedmotion.com/2017/02/streets-retna-the-beauty-project-mexico-city · streetartnews.net/2015/07/retna-unveils-giant-mural-in-copenhagen.html · blogbaladi.com/retna-paints-ashrafieh-and-ouzai · hypebeast.com/2016/5/between-the-line-dubai-featuring-bast-and-retna